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Vision Quest: Piccolo
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Vision Quest: Piccolo
Piccolo
By Vince Gassi. For Concert Band. Instructional. Part. 4 pages. Published by Alfred Music …
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By Vince Gassi. For Concert Band. Instructional. Part. 4 pages. Published by Alfred Music - Digital Sheet Music
$3.00
2.78 €
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Piccolo
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Vince Gassi
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Vision Quest: Piccolo
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Silent Night, Holy Night (for Orchestra)
Trompette
Trumpet - Digital Download SKU: A0.1070263 Composed by Franz X. Gruber. Arranged by…
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Trumpet - Digital Download SKU: A0.1070263 Composed by Franz X. Gruber. Arranged by Tito Abeleda. Christmas. Full Performance. Duration 270. Visionary Quest Records #4895615. Published by Visionary Quest Records (A0.1070263). To understand why I composed this arrangement of Silent Night, Holy Night in the way that I did, close your eyes and imagine taking a holy journey or pilgrimage to visit the Holy Nativity. I musically convey what I imagined it would have been like to make this long journey like the Three Wise Kings and others did to follow the Star of Bethlehem to see the Blessed Child that prophets had foretold. As each person begins the journey, you will hear the distinctly grave motif indicative of the quest that was before them. The brass gloriously herald one's approach to the Holy Nativity coupled with the commencement of the Silent Night, Holy Night carol theme upon one's arrival.The music Silent Night, Holy Night was originally composed in 1818 by Franz X. Gruber. The original lyrics were were written in German by James Mohr also in 1818. This Christmas Classic was translated to English in 1859 by John Young. I wrote this arrangement yesterday as an intermediate level piano solo.This is a re-imagined version of Franz Gruber's Christmas Carol classic Silent Night, Holy Night. Section A begins with a poignant introduction in C Minor, then modulates to C Major for the main Silent Night, Holy Night Christmas Carol theme in Section B. Section C returns to a new version of its introductory C Minor motif. The song segues back to its Silent Night, Holy Night theme, but modulating to D Major for its closing.F. Gruber's Silent Night, Holy Night (for Full Orchestra) Arranged by Tito Abeleda (1964 - ). Digital Download = 70 pages. Duration = 4 minutes 42 seconds.INSTRUMENTATION - Piccolo 1.2nFlute 1.2.3nAlto FlutenOboe 1.2.3.4nCor Anglais 1.2nClarinet in E^bnClarinet in DnClarinet in B^b 1.2.3nClarinet in A 1.2.3nBassoon 1.2.3.4nContrabassoon 1.2nHorn in F 1ââ¬â8nTrumpet in DnTrumpet in C 1.2.3.4nBass Trumpet in E^bnTrombone 1.2.3nTenor Tuba in B^b 1.2nBass Tuba in FnTimpani 1.2nCymbalsnTubular BellsnHarpnViolin InViolin IInViolanVioloncellonDouble BassContact info: Tito AbeledaVisionary Quest Recordshttps://www.visionaryquestrecordsEmail: tito@visionaryquestrecords.comFollow Tito on Social Media:Facebook: https://www.facebook.com/titoabeledaTwitter: https://twitter.com/titoabeledaInstagram: https://www.instagram.com/tabeledaYouTube: https://www.youtube.com/c/titoabeledaSpotify: http://bit.ly/TitoAbeleda-on-SpotifyiTunes/Apple Music: http://bit.ly/TitoAbeleda_iTunesPerforming Rights Organization is BMI.com.Customer Service: 800-925-8451
$1.99
1.85 €
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Trompette
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Franz X
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Tito Abeleda
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Silent Night, Holy Night
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Visionary Quest Records
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SheetMusicPlus
Silent Night, Holy Night (for Orchestra)
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.984555 Composed by Franz X. Gru…
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Full Orchestra - Level 4 - Digital Download SKU: A0.984555 Composed by Franz X. Gruber. Arranged by Tito Abeleda. Christmas. Score and parts. 69 pages. Visionary Quest Records #4895613. Published by Visionary Quest Records (A0.984555). To understand why I composed this arrangement of Silent Night, Holy Night in the way that I did, close your eyes and imagine taking a holy journey or pilgrimage to visit the Holy Nativity. I musically convey what I imagined it would have been like to make this long journey like the Three Wise Kings and others did to follow the Star of Bethlehem to see the Blessed Child that prophets had foretold. As each person begins the journey, you will hear the distinctly grave motif indicative of the quest that was before them. The brass gloriously herald one's approach to the Holy Nativity coupled with the commencement of the Silent Night, Holy Night carol theme upon one's arrival. The music Silent Night, Holy Night was originally composed in 1818 by Franz X. Gruber. The original lyrics were were written in German by James Mohr also in 1818. This Christmas Classic was translated to English in 1859 by John Young. I wrote this arrangement yesterday as an intermediate level piano solo.This is a re-imagined version of Franz Gruber's Christmas Carol classic Silent Night, Holy Night. Section A begins with a poignant introduction in C Minor, then modulates to C Major for the main Silent Night, Holy Night Christmas Carol theme in Section B. Section C returns to a new version of its introductory C Minor motif. The song segues back to its Silent Night, Holy Night theme, but modulating to D Major for its closing.F. Gruber's Silent Night, Holy Night (for Full Orchestra) Arranged by Tito Abeleda (1964 - ). Digital Download = 70 pages. Duration = 4 minutes 42 seconds.INSTRUMENTATION - Piccolo 1.2nFlute 1.2.3nAlto FlutenOboe 1.2.3.4nCor Anglais 1.2nClarinet in E^bnClarinet in DnClarinet in B^b 1.2.3nClarinet in A 1.2.3nBassoon 1.2.3.4nContrabassoon 1.2nHorn in F 1ââ¬â8nTrumpet in DnTrumpet in C 1.2.3.4nBass Trumpet in E^bnTrombone 1.2.3nTenor Tuba in B^b 1.2nBass Tuba in FnTimpani 1.2nCymbalsnTubular BellsnHarpnViolin InViolin IInViolanVioloncellonDouble BassContact info: Tito AbeledaVisionary Quest Recordshttps://www.visionaryquestrecordsEmail: tito@visionaryquestrecords.comFollow Tito on Social Media:Facebook: https://www.facebook.com/titoabeledaTwitter: https://twitter.com/titoabeledaInstagram: https://www.instagram.com/tabeledaYouTube: https://www.youtube.com/c/titoabeledaSpotify: http://bit.ly/TitoAbeleda-on-SpotifyiTunes/Apple Music: http://bit.ly/TitoAbeleda_iTunes
$35.00
32.47 €
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Orchestre
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Franz X
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Tito Abeleda
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Silent Night, Holy Night
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Visionary Quest Records
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SheetMusicPlus
Procession in D Minor (for Full Orchestra and SATBB Choir)
Violon
Alto Voice,Baritone Horn TC,Bass Voice,Bassoon,Cello,Choir,Clarinet,Double Bass,Drums,Flut…
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Alto Voice,Baritone Horn TC,Bass Voice,Bassoon,Cello,Choir,Clarinet,Double Bass,Drums,Flute,Oboe,Soprano voice,Tenor Voice,Timpani,Viola,Violin - Digital Download SKU: A0.1070247 Composed by Tito Abeleda. Contemporary. Full Performance. Duration 260. Visionary Quest Records #4781001. Published by Visionary Quest Records (A0.1070247). Full Orchestra and SATBB Choir: Piccolo, E Flat Flute, Flute, Oboe, Cor Anglais, Clarinet in E Flat, Clarinet in B Flat, Alto Saxophone, Tenor Saxophone, Baritone Saxophone, Bassoon, Horn in F 1-3, Trumpet in C 1-3, Bass Trumpet in E Flat, Trombone 1-2, Tenor Tuba in B Flat, Bass Tuba in F, Timpani, Snare Drums, Bass Drum, Cymbals, Anvil, Wood Blocks, Tubular Bells, Soprano, Alto, Tenor, Baritone, Bass, Violin I, Violin II, Viola I, Viola II, Violoncello, ContrabassProcession in D Minor (for Orchestra and SATBB Choir) was composed to honor those victims of gun violence. As the title implies, it is like a funeral procession. Although there is an undeniable sadness to it, that sadness is musically framed with boldness and courageousness, building continuously to its climactic end symbolizing our honor and tribute to the fallen, and that their memories and our love for them will never be forgotten.This song is the closing song on Tito Abeleda's album Mourning in the Rain released on 9/11/2019.Contact Tito for original compositions: http://bit.ly/TitoAbeleda_SoundBetterEmail: tito@visionaryquestrecords.comPRO: BMI.comVisionary Quest Recordshttps://www.visionaryquestrecords.comFollow Tito on Social Media:Facebook: https://www.facebook.com/titoabeledaTwitter: https://twitter.com/titoabeledaInstagram: https://www.instagram.com/tabeledaYouTube: https://www.youtube.com/c/titoabeledaSpotify: http://bit.ly/TitoAbeleda-on-SpotifyiTunes/Apple Music: http://bit.ly/TitoAbeleda_iTunes
$1.99
1.85 €
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Violon
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Tito Abeleda
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Procession in D Minor
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Visionary Quest Records
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SheetMusicPlus
Procession in D Minor (for Wind Ensemble and SATBB Choir)
Alto Saxophone,Alto Voice,Baritone Horn TC,Baritone Saxophone,Bass Voice,Bassoon,Clarinet,…
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Alto Saxophone,Alto Voice,Baritone Horn TC,Baritone Saxophone,Bass Voice,Bassoon,Clarinet,Drums,English Horn,Euphonium,Flute,Oboe,Soprano voice,Tenor Saxophone,Tenor Voice,Timpani,Trombone,Trumpet,Tuba - Digital Download SKU: A0.1070250 Composed by Tito Abeleda. Concert,Contemporary,Graduation. Full Performance. Duration 259. Visionary Quest Records #4786367. Published by Visionary Quest Records (A0.1070250). Procession in D Minor (for Wind Ensemble and SATBB Choir) Piccolo, Flute 1, Flute 2, Alto Flute, Oboe 1, Oboe 2, English Horn, Bassoon 1, Bassoon 2, Contrabassoon, Clarinet in E^b, Clarinet in B^b 1, Clarinet in B^b 2, Clarinet in B^b 3, Alto Clarinet in E^b, Bass Clarinet in B^b, Contra Alto Clarinet in E^b, Contrabass Clarinet in B^b, Soprano Saxophone, Alto Saxophone 1, Alto Saxophone 2, Tenor Saxophone 1, Tenor Saxophone 2, Baritone Saxophone, Trumpet in B^b 1, Trumpet in B^b 2, Trumpet in B^b 3, Flugelhorn in B^b 1, Flugelhorn in B^b 2, Horn in F 1, Horn in F 2, Horn in F 3, Trombone 1,Trombone 2, Bass Trombone, Euphonium, Tuba, Timpani,Snare Drum, Bass Drum, Cymbals, Anvil, Wood Block, Tubular Bells, Soprano, Alto, Tenor, Baritone, BassComposed by Tito Abeleda (1964- ) Digital Download 111 pages (c) 2019 Tito Abeleda | Level-IntermediateProcession in D Minor (for Wind Ensemble and SATBB Choir) was composed to honor those victims of gun violence. As the title implies, it is like a funeral procession. Although there is an undeniable sadness to it, that sadness is musically framed with boldness and courageousness, building continuously to its climactic end symbolizing our honor and tribute to the fallen, and that their memories and our love for them will never be forgotten.Contact Tito for original compositions: http://bit.ly/TitoAbeleda_SoundBetterEmail: tito@visionaryquestrecords.comPRO: BMI.comVisionary Quest Recordshttps://www.visionaryquestrecords.comFollow Tito on Social Media:Facebook: https://www.facebook.com/titoabeledaTwitter: https://twitter.com/titoabeledaInstagram: https://www.instagram.com/tabeledaYouTube: https://www.youtube.com/c/titoabeledaSpotify: http://bit.ly/TitoAbeleda-on-SpotifyiTunes/Apple Music: http://bit.ly/TitoAbeleda_iTunes
$2.99
2.77 €
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Tito Abeleda
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Procession in D Minor
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Visionary Quest Records
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SheetMusicPlus
Procession in D Minor (for Wind Ensemble and SATBB Choir)
Large Ensemble Choir,Voice - Level 3 - Digital Download SKU: A0.984541 Composed by …
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Large Ensemble Choir,Voice - Level 3 - Digital Download SKU: A0.984541 Composed by Tito Abeleda. Concert,Contemporary,Graduation. Score and parts. 111 pages. Visionary Quest Records #4786363. Published by Visionary Quest Records (A0.984541). Procession in D Minor (for Wind Ensemble and SATBB Choir) Piccolo, Flute 1, Flute 2, Alto Flute, Oboe 1, Oboe 2, English Horn, Bassoon 1, Bassoon 2, Contrabassoon, Clarinet in E^b, Clarinet in B^b 1, Clarinet in B^b 2, Clarinet in B^b 3, Alto Clarinet in E^b, Bass Clarinet in B^b, Contra Alto Clarinet in E^b, Contrabass Clarinet in B^b, Soprano Saxophone, Alto Saxophone 1, Alto Saxophone 2, Tenor Saxophone 1, Tenor Saxophone 2, Baritone Saxophone, Trumpet in B^b 1, Trumpet in B^b 2, Trumpet in B^b 3, Flugelhorn in B^b 1, Flugelhorn in B^b 2, Horn in F 1, Horn in F 2, Horn in F 3, Trombone 1,Trombone 2, Bass Trombone, Euphonium, Tuba, Timpani,Snare Drum, Bass Drum, Cymbals, Anvil, Wood Block, Tubular Bells, Soprano, Alto, Tenor, Baritone, BassComposed by Tito Abeleda (1964- ) Digital Download 111 pages (c) 2019 Tito Abeleda | Level-IntermediateProcession in D Minor (for Wind Ensemble and SATBB Choir) was composed to honor those victims of gun violence. As the title implies, it is like a funeral procession. Although there is an undeniable sadness to it, that sadness is musically framed with boldness and courageousness, building continuously to its climactic end symbolizing our honor and tribute to the fallen, and that their memories and our love for them will never be forgotten.Contact Tito for original compositions: http://bit.ly/TitoAbeleda_SoundBetterEmail: tito@visionaryquestrecords.comPRO: BMI.comVisionary Quest Recordshttps://www.visionaryquestrecords.comFollow Tito on Social Media:Facebook: https://www.facebook.com/titoabeledaTwitter: https://twitter.com/titoabeledaInstagram: https://www.instagram.com/tabeledaYouTube: https://www.youtube.com/c/titoabeledaSpotify: http://bit.ly/TitoAbeleda-on-SpotifyiTunes/Apple Music: http://bit.ly/TitoAbeleda_iTunes
$40.00
37.11 €
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Tito Abeleda
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Procession in D Minor
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Visionary Quest Records
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SheetMusicPlus
Procession in D Minor (for Full Orchestra and SATBB Choir)
Large Ensemble Choir - Level 3 - Digital Download SKU: A0.984538 Composed by Tito A…
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Large Ensemble Choir - Level 3 - Digital Download SKU: A0.984538 Composed by Tito Abeleda. Contemporary. Score and parts. 80 pages. Visionary Quest Records #4780997. Published by Visionary Quest Records (A0.984538). Full Orchestra and SATBB Choir: Piccolo, E Flat Flute, Flute, Oboe, Cor Anglais, Clarinet in E Flat, Clarinet in B Flat, Alto Saxophone, Tenor Saxophone, Baritone Saxophone, Bassoon, Horn in F 1-3, Trumpet in C 1-3, Bass Trumpet in E Flat, Trombone 1-2, Tenor Tuba in B Flat, Bass Tuba in F, Timpani, Snare Drums, Bass Drum, Cymbals, Anvil, Wood Blocks, Tubular Bells, Soprano, Alto, Tenor, Baritone, Bass, Violin I, Violin II, Viola I, Viola II, Violoncello, ContrabassProcession in D Minor (for Orchestra and SATBB Choir) was composed to honor those victims of gun violence. As the title implies, it is like a funeral procession. Although there is an undeniable sadness to it, that sadness is musically framed with boldness and courageousness, building continuously to its climactic end symbolizing our honor and tribute to the fallen, and that their memories and our love for them will never be forgotten.Email: tito@visionaryquestrecords.comPRO: BMI.comVisionary Quest Recordshttps://www.visionaryquestrecords.comFollow Tito on Social Media:Facebook: https://www.facebook.com/titoabeledaTwitter: https://twitter.com/titoabeledaInstagram: https://www.instagram.com/tabeledaYouTube: https://www.youtube.com/c/titoabeledaSpotify: http://bit.ly/TitoAbeleda-on-SpotifyiTunes/Apple Music: http://bit.ly/TitoAbeleda_iTunes
$30.00
27.83 €
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Tito Abeleda
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Procession in D Minor
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Visionary Quest Records
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SheetMusicPlus
Tears from My Eyes: Remember Your Feelings (For Orchestra)
Digital Download SKU: A0.1070238 Composed by Tito Abeleda. Contemporary. Full Perfo…
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Digital Download SKU: A0.1070238 Composed by Tito Abeleda. Contemporary. Full Performance. Duration 506. Visionary Quest Records #4718093. Published by Visionary Quest Records (A0.1070238). Tears from My Eyes: Remember Your Feelings expresses the pathos experienced when overcome with sadness or sorrow and the reflection or contemplation attached to such grief. I wrote this score with the hope and intention this will be a supportive enhancement to another creator's visual production to help others tell their stories.Free your mind. Relax. Feel & reflect on memories past & those who have been a part of your life journey... those paths that have crossed yours and those paths that have merged with yours. Ponder the significance of how you have been shaped & touched by each of them in their own special way.Solo Cello, Solo Oboe, Cello & Oboe Duet, Orchestra (2 Violins, 2 Violas, 2 Cellos (non-solo), 1 Flute, 1 Piccolo, 1 Oboe (non-solo), 1 Clarinet, 2 Bassoons, 2 French horns, 2 Euphoniums, 2 Trumpets, 2 Trombones, 2 Double Bass, 3 Tubas) Great feature for cello and oboe soloists. Composed by Tito Abeleda (1964 - ). Full Score plus Parts 96 pages. Duration: 8:26License on Songtradr - bit.ly/RememberYourFeelings_SongtradrSpotify: spoti.fi/2CwHt8KDeezer: bit.ly/TearsAlbum_DeezerTidal: bit.ly/TearsAlbum_TidaliTunes/Apple Music: bit.ly/TearsAlbum_iTunesGoogle Play: bit.ly/TearsAlbum_GooglePlayAmazon Music: amzn.to/2tG2hFZiHeartRadio: ihr.fm/2Toc5ijNapster: bit.ly/TearsAlbum_NapsterFor Non U.S. fans:JioSaavn: bit.ly/TearsAlbum_JioSaavnSpecial thanks for Jhonis Martins Photography for sheet music / album cover.Contact Tito for original compositions: bit.ly/TitoAbeleda_SoundBetterEmail: tito@visionaryquestrecords.comPRO: BMI.comFollow Tito on Social Media:Facebook: www.facebook.com/titoabeledaTwitter: twitter.com/titoabeledaInstagram: www.instagram.com/tabeledaYouTube: www.youtube.com/c/titoabeledaSpotify: bit.ly/TitoAbeleda-on-SpotifyiTunes/Apple Music: bit.ly/TitoAbeleda_iTunes
$2.99
2.77 €
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Tito Abeleda
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reflect on memories past &
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Tears from My Eyes: Remember Your Feelings
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Visionary Quest Records
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SheetMusicPlus
Tears from My Eyes: Remember Your Feelings (For Orchestra)
Orchestre
Full Orchestra - Digital Download SKU: A0.984527 Composed by Tito Abeleda. 20th Cen…
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Full Orchestra - Digital Download SKU: A0.984527 Composed by Tito Abeleda. 20th Century,Contemporary. Score and parts. 88 pages. Visionary Quest Records #4312371. Published by Visionary Quest Records (A0.984527). Tears from My Eyes:ÃÂ RememberÃÂ YourÃÂ FeelingsÃÂ expresses the pathos experienced when overcome with sadness or sorrow and the reflection or contemplation attached to such grief. I wrote this score with the hope and intention this will be a supportive enhancement to another creator's visual production to help others tell their stories.Free your mind. Relax. Feel & reflect on memories past & those who have been a part of your life journey... those paths that have crossed yours and those paths that have merged with yours. Ponder the significance of how you have been shaped & touched by each of them in their own special way.Solo Cello, Solo Oboe, Cello & Oboe Duet, Orchestra (2 Violins, 2 Violas, 2 Cellos (non-solo), 1 Flute, 1 Piccolo, 1 Oboe (non-solo), 1 Clarinet, 2 Bassoons, 2 French horns, 2 Euphoniums, 2 Trumpets, 2 Trombones, 2 Double Bass, 3 Tubas) Great feature for cello and oboe soloists. Composed by Tito Abeleda (1964 - ). Full Score plus Parts 96 pages. Duration: 8:26License on Songtradr -ÃÂ bit.ly/RememberYourFeelings_SongtradrSpotify:ÃÂ spoti.fi/2CwHt8KDeezer:ÃÂ bit.ly/TearsAlbum_DeezerTidal:ÃÂ bit.ly/TearsAlbum_TidaliTunes/Apple Music:ÃÂ bit.ly/TearsAlbum_iTunesGoogle Play:ÃÂ bit.ly/TearsAlbum_GooglePlayAmazon Music:ÃÂ amzn.to/2tG2hFZiHeartRadio:ÃÂ ihr.fm/2Toc5ijNapster:ÃÂ bit.ly/TearsAlbum_NapsterFor Non U.S. fans:JioSaavn:ÃÂ bit.ly/TearsAlbum_JioSaavnSpecial thanks for Jhonis Martins Photography for sheet music / album cover.Email:ÃÂ tito@visionaryquestrecords.comPRO: BMI.comFollow Tito on Social Media:Facebook:ÃÂ www.facebook.com/titoabeledaTwitter:ÃÂ twitter.com/titoabeledaInstagram:ÃÂ www.instagram.com/tabeledaYouTube:ÃÂ www.youtube.com/c/titoabeledaSpotify:ÃÂ bit.ly/TitoAbeleda-on-SpotifyiTunes/Apple Music:ÃÂ bit.ly/TitoAbeleda_iTunes
$55.00
51.03 €
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Orchestre
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Tito Abeleda
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Tears from My Eyes: Remember Your Feelings
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Visionary Quest Records
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SheetMusicPlus
Tears from My Eyes: Reflection and Contemplation (For Flute Choir)
Alto Flute,Bass Flute - Digital Download SKU: A0.1070239 Composed by Tito Abeleda. …
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Alto Flute,Bass Flute - Digital Download SKU: A0.1070239 Composed by Tito Abeleda. Concert,Contemporary,New Age. Full Performance. Duration 486. Visionary Quest Records #4718101. Published by Visionary Quest Records (A0.1070239). FLUTE CHOIR: Piccolo, E Flat Flute Solo, E Flat Flute 1-2, Flute 1-3, Alto Flute 1-2, Bass Flute 1-2 Compose by Tito Abeleda (1964 - ) Music score plus parts = 72 pages digital download. Duration: 8:26In 2019 I composed a three-movement piece titled Tear from My Eyes. Tears from My Eyes: Reflection and Contemplation is the second movement to this piece. The first movement is Tears from My Eyes: Remember Your Feelings for full orchestra. The third movement is Tears from My Eyes: Mourning in the Rain for clarinet choir. The entire piece is dedicated to my father and mother. This movement was written for flute choir comprised of piccolo, E flat flutes, flutes, alto flutes, and bass flutes. It is tranquil and meditative to allow one to reflect and contemplate. For me this piece meant reflecting and contemplating in a positive way what my parents have meant to me and all that they have done to support my dreams throughout my life. I wrote these songs to express musically the depth of my gratitude and love for them.
$2.99
2.77 €
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Tito Abeleda
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Tears from My Eyes: Reflection and Contemplation
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Visionary Quest Records
#
SheetMusicPlus
Tears from My Eyes: Reflection & Contemplation (For Flute Choir)
Ensemble de Flûtes
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.984528 Composed by Tit…
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Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.984528 Composed by Tito Abeleda. 20th Century,Contemporary,Easter. 72 pages. Visionary Quest Records #4313293. Published by Visionary Quest Records (A0.984528). FLUTE CHOIR: Piccolo, E Flat Flute Solo, E Flat Flute 1-2, Flute 1-3, Alto Flute 1-2, Bass Flute 1-2 ÃÂ Compose by Tito Abeleda (1964 - ) Music score plus parts = 72 pages digital download. Duration: 8:26Tears from My Eyes expresses the pathos experienced when overcome with sadness or sorrow and the reflection or contemplation attached to such grief.
$12.95
12.01 €
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Ensemble de Flûtes
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Tito Abeleda
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Tears from My Eyes: Reflection & Contemplation
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Visionary Quest Records
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SheetMusicPlus
Gli Uomini non Cambiano (SSATB + Piano)
Chorale SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.904857 Composed by Giancar…
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.904857 Composed by Giancarlo Bigazzi, Giuseppe Beppe Dati, and Marco Falagiani. Arranged by Marco Borsoi. Pop. Octavo. 27 pages. Marco Borsoi #6167397. Published by Marco Borsoi (A0.904857). Gli uomini non cambiano è una canzone scritta da Giancarlo Bigazzi, Marco Falagiani e Giuseppe Beppe Dati. Fu presentata dalla stupenda voce di Mia Martini al 42o Festival di Sanremo, dove si piazzò al secondo posto nella classifica finale.Il brano racconta le delusioni di una donna nei rapporti con le figure maschili; a partire dal padre che, nonostante gli sforzi, non è mai riuscita a conquistare fino ai falsi e presunti amori. Storie nate dalla voglia di scappare da una famiglia divenuta ostile ma che evidenziano l'ingenuitàdi una ragazzina presa in giro e abbandonata dal playboy di turno. Sogni dââ¬â¢amore svaniti, lacrime versate e sensi colpa per aver stupidamente abboccato alle bugie di chi si diceva innamorato per poi andare a ridere di lei con gli amici del bar. Sconfitta da queste delusioni, la ragazza divenuta donna non riesce più a dare fiducia agli uomini; indurisce il proprio carattere diventando fredda e diffidente in ogni nuovo rapporto. Nel finale, però, rivolgendosi allââ¬â¢attuale compagno, la donna chiarisce che l'amore vero può esistere perché un uomo può davvero cambiare se innamorato.Lââ¬â¢arrangiamento, per 5 voci miste (SMzATB) prende spunto dalla versione di Alessandro Cadario di Almeno tu nellââ¬â¢universo per coro femminile.Il brano parte dunque con un unisono di voci femminili che via via si aprono in 3 sezioni.Il piano regge lââ¬â¢armonia in queste prime 2 strofe.Gli uomini entrano solo nella battuta che precede il ritornello per sostenere il crescendo sulla dominante minore che risolve nella tonica maggiore.Nel ritornello lââ¬â¢armonizzazione è a 4 voci (SATB) con finale allââ¬â¢unisono con accordo vuoto del pianoforte per rendere la tristezza del testo (vanno a ridere di te).La seconda parte è pensata invece come un accompagnamento strumentale delle voci che alternandosi creano un arpeggio armonico. Al termine del secondo ritornello, un rallentato deciso e una modulazione secca che determina la revisione dellââ¬â¢andamento armonico delle parti centrali. Piccolo gioco con le parole a batt. 60 e finale classicheggiante.
$9.99
9.27 €
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Chorale SATB
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Giancarlo Bigazzi, Giuseppe Beppe Dati, and Marco Falagiani
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Marco Borsoi
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Gli Uomini non Cambiano
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Marco Borsoi
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SheetMusicPlus
Concerto
Piano et Orchestre
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by …
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Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. .
The markings of the movements are the following: .
1. Vivace molto ritmico e preciso .
2. Lento e deserto .
3. Vivace cantabile .
4. Allegro risoluto .
5. Presto luminoso.
The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. .
The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. .
In the Piano Concerto I realized new concepts of harmony and rhythm. .
The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. .
In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. .
The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. .
In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. .
Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). .
The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). .
Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. .
These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. .
The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). .
The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. .
Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. .
Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. .
This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. .
The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. .
I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. .
(Gyorgy Ligeti)
$23.99
22.26 €
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Piano et Orchestre
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Gyorgy Ligeti (1923-2006)
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Concerto
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Schott Music - Digital
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SheetMusicPlus
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